By Clive W. McWatt Richard Gui Pennington Sharples, better known as R. G. Sharples, was a man of extraordinary ability who demonstrated a wealth of talents. Alongside his legal career, Sharples is recognised equally for his artistic legacy and his contribution to the development of a ‘local style’ in the history of fine art in Guyana. Sharples was born in Georgetown on May 1, 1906. He was the youngest son of Mary Johanna (née Scott) and John Bradshaw Sharples, the famous architect and builder. He began his early education at…
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An artistic response
Overseas-based Guyanese artist C. Aubrey McWatt is moved by an earnest, creative response to the human experience Aubrey McWatt’s work is influenced by a belief that the universe and everything in it, including nature, thought and emotion, are inherently connected. Aubrey’s response to the human condition is influenced by visits to more than 70 countries during an international business career of over 30 years. The fine artist’s education includes general studies at Queen’s College, British Guiana and undergraduate studies in business, with a concentration in marketing at Columbia University, New…
Read MoreThe surreal world of Kyle Rahaman
Guyanese “surreal” artist Kyle Rahaman always had an“interest in creative things”. He views art as a medium of dealing with anxiety and deterrence from “interesting vices”. “Art is partly an expression of subconscious thought that otherwise would never come out. For me, having access to an art room in high school was inspiration enough. I also had a great art teacher, Ravi Doodnaugth, who encouraged me.I have always been drawn to things that arouse emotions – which I find ironic since I have been told I have the emotional capacity…
Read MoreReflections on a great Guyanese artist
“Homage to Denis Williams”, an exhibition of artworks by indigenous artists, currently ongoing at Castellani House, is the most appropriate title to celebrate Indigenous Heritage Month (September) for several reasons. Dr. Denis Williams (1923 – 1998) was a pioneer archaeologist and anthropologist who in 1974, nearly 50 years ago, founded the Walter Roth Museum of Anthropology, which was the precursor for several prominent cultural institutions in Guyana, such as the E.R. Burrowes School of Art (1975), the Museum of African Heritage (1985), and the National Gallery of Art, Castellani House…
Read MoreClaude Stevens’ Art for the People
By Celeste Hamilton Dennis You can find him every day on the corner of the market entrance sandwiched between the currency exchange men. Women are on their way to the market to sell pink flip-flops or to buy freshly butchered chicken. Chutney music blares from dilapidated rum shops. Claude Stevens stands on a crowded and dirty corner looking for the man who said he’d come back on Tuesday to buy his coconut tree painting. Stevens waits in the midst of the raucous hustling and transient bustling—quiet, patient, stolid. You can…
Read MoreThe art of embroidery
For indigenous Guyanese Genevieve Cox, whose hand- embroidered artwork depicts her indigenous cultures, her embroidery is being used as art to showcase what she calls, “the natural world, stories and customs of the Atorad (Atorai), Wapishana and Arawak” nations. According to Cox, “Embroidery is not a native craft but it is the medium closest to weaving, and has its roots in basket making, mat making and sewing.” Embroidery was introduced by Guyana’s British colonial rule. While hand-made embroidery has a rich history dating back to the 5th century BC, over…
Read MoreLocal, overseas Guyanese artists for US art exhibition
A group of notable Guyanese artists, residing here and abroad, will be part of a memorable exhibition to be held in the USA. ‘Un | Fixed Homeland’ brings together an inter-generational roster of 13 emerging and established Guyanese artists who, via photography and photography-based art, examine the complex relationship to “homeland.” These artists explore how a “homeland” can be both fixed and unfixed, a constantly shifting idea and memory, and a physical place and a psychic space. The exhibition’s title reflects the emergence of the Caribbean diaspora in metropolitan cities…
Read MoreThe Guyana Women Artists’ Association exhibits artistic pieces
The Association is a non-governmental, non-profit organisation that seeks to encourage and support women’s participation in the field of visual arts. Formed in September of 1987, GWAA had Marjorie Broodhagen A.A. (1912 – 2000) as its first president and an executive committee, which included Stephanie Correia A.A. (d.2000), Agnes Jones A.A. (d. 2008), and other prominent artists and art educators of that time. In April of the following year, the Association mounted its first exhibition, in retrospect. In 1989 a travelling GWAA exhibition was mounted at the National Museum in…
Read MoreWaves and War
Hew Locke’s debut solo exhibition evokes migration and displacement Born in Scotland in 1959, artist Hew Locke grew up in Georgetown, Guyana before returning to Britain for his university education. Locke’s multi-media practice includes large-format installation, painting, sculpture, photography and tapestry and has been called a “mental ‘Moulinex’ or food processor, into which experiences are tossed, mixed around, and transformed into chimerical creations”. Locke’s most recent works are part of his debut solo exhibition, The Wine Dark Sea, with the Edward Tyler Nahem Fine Art, located at L.L.C. 37 West…
Read MoreMaking art intimate
‘Good art is not what it looks like, but what it does to us,’ says young artist Possessing a talent for being creative, Andre Jacobus was inspired to pursue art, which serves as therapy and catalyst, to become a distinguished artist. “Art is one of the few things I enjoy doing. Also, I am always in the habit of creating stuff, so that is why I decided to take it up,” Andre said in an interview with Sunday Times Magazine. The artist recalled that since he was five years old…
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